The Ancient Temple BASIC VECTORS (1988, 1 discside) A pre-version of AIR DANCE. Shown for the first time on a local spreader party in Innsbruck, now published for the first time. The first version of our blasting realtime charset unpacking routine which was based on the principle of MPEG, before anyone ever heard of MPEG); so in a way, Mr Watson has invented MPEG. AIR DANCE I (1988, 1 discside) A classic piece. The sensation of Venlo 11/88. Logo Turn - Charset Vectors Animation, good muzax, and more. Check it out. LAZER LINK (1988, 1 discside) Consists of AIR DANCE I in an improved version as well as new parts, one of the first fullscreen-DYCPs, two 'anti war' parts with lots of atmosphere and feeling. Third place of the demo competition on the Lazer Party in St Polten, Austria, 1988. MILCHPAUSE (1988, 1 discside) A 'one-session mega demo' which was coded during some chaotic days on a meeting in a smalltown in Eastern Austria; good feeling, many scrollers, funny dialogue part containing a fictive talk interaction between the TAT crew and a lamer, and more. Light source animations, IRQ loading system. LET'S MELT (1988, 1 discside) A small three-part demo, some sprite melting fx and nice exclusive muzax by Rockin' Ltd. SOFTPIZZA (1989, 1 discside) The first big TAT mega demo. Spectacular $D011-graphic-turning-part (DYPP), the second one of its kind, 'arousing' erotics part, atmospheric end part with amazing raster effects, and more. Winner of the Lazer Party 1990 demo competition. VISITATION (1990, 2 discsides) Our first two-side mega demo. Atmospheric digi muzax in the introduction part, a diagonal raster bar, lots of nice fx and a commercial part for the upcoming release of AIR DANCE II (caution: this is not the separately released precommercial). Winner of the demo competition on Titan's Party in Stuttgart/Germany, 1990. AIR DANCE II (1990, 2 discsides) IRQ-loading system (we were one of the first crews to regularly use IRQ loading systems in all demos). The best charset vector animations ever, self-sequenced 2-bit and 4-bit digi muzax, lots of sideborder fx. The first ever published SEG graphic (SEG=Sprite enhanced Graphics, more colors per 8x8 matrix than FLI), the fastest IRQ loading system up to this time. Winner of the demo competition on the Fresh Party in Luzern/Switzerland, 1990. For a few months high ranked in all major mags, voted to "Demo Of The Year 1990" by an Australian mag. AIR WALK (1990, 1 discside) 112-sprites.multiplexer (this time's world record), sideborder FLI ;-)x , info-part about our crew, ofcourse a very fast IRQ loading system. AIR DANCE III (1990, 1 discside) Not much styling, but lots of technical stuff. A vector charset animation that fills the whole memory, 4-bit digi muzax with raster splits and sprites, some other quite blasting routines. MEGA BLAST I (1991, 2 discsides) Again a big mega demo. Great digi music introduction part, moire-style IRQ loading graphics show with lots of graphics, many details, the last part to be continued with the first part of the next demo (Mega Blast II). Released on the TAT Party in Innsbruck/Austria, 1991, therefore no taking part in the competition. MEGA BLAST II (1991, 1 discside) The sequel to MEGA BLAST I. Good muzax, lots of top-quality graphical creations by Air Design. AIR DANCE IV (1991, 2 discsides) Great, long introduction part (from there on, others started to make introduction parts like ours as well), animated vector show through a whole discside, Digi-FLI, the legendary "Chicken McDigi's" part which was pictured in several computer magazines (64'er, Amiga), another SEG graphic. For many months on the top of many mags' charts ("Sex'n Crime", "Immortal Flash", "Mamba", ...) AWAKENING (1993, 2 discsides) It's a trackmo, made like a movie. Introduction in AFLI, two synchronized and going-through sound scores (through the whole demo), graphics in 640x200 and 320x400 SuperHiRes, 2 minutes long Amiga rendered and converted full-screen "ZoomVision" real-time IRQ-loaded vector movie with light sources. Third place in the 64'er magazine demo competition.